TY  - GEN
AU  - Frei,Peter
AU  - Labere,Nelly
AU  - Frei,Peter
AU  - Labere,Nelly
TI  - L’obscène, mode d’emploi: Considérations intempestives à l’usage du monde contemporain
T2  - PrimaLun@
SN  - primaluna16.9782858926404
PY  - 2022///
CY  - Pessac
PB  - Maison des Sciences de l'homme d'Aquitaine
KW  - Biography, Literature and Literary studies
KW  - bicssc
KW  - Sociology
KW  - The Arts
KW  - Scandal
KW  - Emotion/Sensibility
KW  - Stage
KW  - Spectacle, Performance / Actor / Spectator
KW  - Reader
KW  - Aesthetic / Art
KW  - Pasolini
KW  - Trial
KW  - Film
KW  - Religion / Church
KW  - Body
KW  - Ethics
KW  - Censorship / Prohibition
KW  - Pornography
KW  - Eroticism
KW  - Hays Code
KW  - War
KW  - Violence
KW  - Fake News
KW  - Drone
KW  - Nudity
KW  - Representation
KW  - Giallo
KW  - Woman
KW  - Feminity
KW  - Girl
KW  - Sexuality
KW  - Prohibition
KW  - Order, Category
KW  - Society
KW  - Gaze
KW  - Rape
KW  - Murder
KW  - Transgression
KW  - Subversion
KW  - Profanation
KW  - Liberty
N1  - Open Access
N2  - Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated?
UR  - https://ressources.una-editions.fr/s/5qejy7WJz2c8g5Q
UR  - https://directory.doabooks.org/handle/20.500.12854/112638
ER  -