លើកស្ទួយសាលារៀន,
ជំរុញចិត្តអ្នកសិក្សា
មជ្ឈមណ្ឌលឌីជីថលសម្រាប់សាលារៀន ក្នុងការដាក់បង្ហាញបណ្តុំឯកសារ គ្រប់គ្រងបញ្ជីសៀវភៅ និងផ្តល់ធនធានសិក្សាប្រកបដោយគុណភាពដល់សិស្សានុសិស្ស។
L’obscène, mode d’emploi Considérations intempestives à l’usage du monde contemporain
Frei, Peter
L’obscène, mode d’emploi Considérations intempestives à l’usage du monde contemporain - Pessac Maison des Sciences de l'homme d'Aquitaine 2022 - 1 electronic resource (146 p.) - PrimaLun@ 16 .
Open Access
Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated?
Creative Commons
French
English
primaluna16.9782858926404 9782858926404 9782858926411
10.46608/primaluna16.9782858926404 doi
Biography, Literature and Literary studies
Sociology
The Arts
Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty
L’obscène, mode d’emploi Considérations intempestives à l’usage du monde contemporain - Pessac Maison des Sciences de l'homme d'Aquitaine 2022 - 1 electronic resource (146 p.) - PrimaLun@ 16 .
Open Access
Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated?
Creative Commons
French
English
primaluna16.9782858926404 9782858926404 9782858926411
10.46608/primaluna16.9782858926404 doi
Biography, Literature and Literary studies
Sociology
The Arts
Scandal Emotion/Sensibility Stage Spectacle, Performance / Actor / Spectator Reader Aesthetic / Art Pasolini Trial Film Religion / Church Body Ethics Censorship / Prohibition Pornography Eroticism Hays Code War Violence Fake News Drone Nudity Representation Giallo Woman Feminity Girl Sexuality Prohibition Order, Category Society Gaze Rape Murder Transgression Subversion Profanation Liberty